In 1998, Roberto Benigni, who had
just won Best Actor for Life Is Beautiful at The Academy
Awards, stepped up to the podium for a few words of gratitude. He
thanked his parents for the "poverty" he grew up in.
Charly Chiarelli identified
instantly with what he was talking about.
While Benigni is Italian, Chiarelli
is a Sicilian. Both storytellers have a profound gift for siphoning
joy from histories of struggle.
Cu’Fu? means "so who did it?"
and is a collection of stories that the Hamilton native describes as
"an accident waiting to happen". Chiarelli thought
of himself first and foremost as a harmonica player but little did
he know his personal experiences of growing up in Steele Town could
land him a four-week run at Toronto’s Artword Theatre.
"I only meant to perform it
once," explains Chiarelli. "But all the ingredients
for making it happen were there. I thought it was just sitting on
the veranda and shooting the sh*t with your friends. I didn’t
realize the relevance a life has to the universality that can be
extruded from a very personal story. It’s the crossroads between
my culture, my harmonica playing and my desire to make a comment
about the different stratas of society."
His accounts depict a Sicilian
family’s struggle in a strange land. While some newcomers
prospered, Chiarelli’s family faltered. His father soon
took ill after arriving in Canada which ultimately put the family on
the skids. Poverty, welfare, hospitals and death can force a young
person to grow up almost overnight.
When Cu’Fu? aches for
compassion, it delivers comedic cheer. Life may cheat some of
privilege but Chiarelli always took it on the chin.
"Audiences that come to see it are
surprised by the lack of angst. [But] it’s a reflection that there
wasn’t angst in my life," he affirms. "It’s not so
much they want to see the story in a bitter perspective. It’s
making them look at their own lives and say ‘Where’s the joy?
Why aren’t I reflecting it?’"
The harmonica prodigy kicks out a
foot-stomping blues bonanza to break up the tender anecdotes. While
paying homage to traditional numbers including "Sciuri
Sciuri", "La Tarentella", and "Bo
Laddi Bo", Chiarelli dispenses ferocious air into
his silver companion to create an authentic Mississippi Delta
persona inside the 150-seat theatre.
Take note, the storyteller/musician wants
theatregoers to exit with more than just a few notes to hum on their
way out.
"Perspective," Chiarelli
adds. "And I want them to take home the fact that I’m using
my Sicilianism as my model for these struggles and joys. And that we
are all strangers in a strange place. We’ve all come from
somewhere else."